Kansas City, a desolate city in the hinterland of the United States, with less than 500,000 people. The industry is scarce and the business is backward. There is a museum there, and there are more than 8,000 Chinese artworks in the museum. They cover the Northern Wei Dynasty stone drapery, the Five Dynasties murals, the Liao Dynasty wood carvings and the rare Song Dynasty paintings.
Although this small town is lagging behind in business, the value of these Chinese artworks is inestimable. It is precisely because of these Chinese cultural relics that made this small town famous. Many people traveled thousands of miles to this small American city to visit Chinese museums. It can be said that the 8,000 artifacts in China have saved this desolate American town!
Upon entering the 230th Hall, the Chinese Temple (Chinese Temple Exhibition Hall), it was the following semi-sitting and semi-reclining view of the Buddha.
This Guanyin was acquired by Sickman and his mentor Warner from Lu Qinzhai. It was praised by Thomas Hoving, the former director of the Metropolitan Museum of New York. “This is probably the most spectacular statue in China today. It is the best outside of China. The statue "is a victory for religion and aesthetics"; it is called by the media "one of the thirty best works in public institutions in the United States."
Wall paintings
Portrait
Shang Zhou bone carving
War and Han period
éš‹ Tang
Song Yuanming porcelain
Ming and Qing Furniture
Song Painting
"Autumn River Fishing Boat Chart"
"Sun Yat-Sen Temple Picture"
In this museum full of ancient artifacts of China, it is also possible to think about the pride of the Chinese civilization. It is true that the museum’s cultural relics can deliver a lot of valuable information from their place of origin, and they can also enjoy education while enjoying the visual experience. The function. But is the museum a novelty that is only transmitted to different cultural backgrounds and exotic cultures? Is it still possible to convey artifacts that can be perceived or inferred from the country’s art history, the country’s cultural context, and the archeological background?
James Cuno wrote a book, Whose culture?, which mentions:
Is the museum a treasure trove of preserving times, dispelling ignorance and ignorance, or is it a figurine of plundering artifacts? How to define and judge the excavation, protection, research and publication of archeological sites and archaeological sites?
Although this book is suspected of scrubbing, the important relics in the Encyclopedic exhibition in China have indeed raised Westerners’ interest in Chinese civilization. When foreigners saw one by one in the exhibition hall, they were amazed by these exquisite things. The art is also a message of "soft power." At the same time, we reminded us not to wait until we lose it before we discover the value of our own culture. That is the sorrow of the whole nation.
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